‘‘It’s about my inability to love… but I’m fine now,’ says Benjamin, the titular filmmaker at the heart of queer comedian Simon Amstell’s latest film. It’s a film about intimacy and it’s challenges, about pressure and it’s ramifications, and it finds itself in an interesting position. It’s at the intersection between two genres; autobiographical cinema (a genre that is ever-expanding and gaining popularity) and queer cinema (a genre that has experienced a major boom since the nineties).’
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