A bi-monthly column for Big Picture Film Club using film to understand millennial life, how it changes us, and what we can learn from it.
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On Queer as Folk
- On Queer as Folk
- On Musicians Who Act
- On The Cannes Film Festival
- On Conversations with Friends
- On Modernised Adaptions
- On Be Kind Rewind
- On Falling
- On Feeling Stuck
- On Clio Barnard
- On Euphoria
- On Station Eleven
- On Joanna Hogg
- On Reinvention
- On An Alternative Christmas
- On Being “Old”
- In Search of Difficult Men
- On the “Modern Man”
- On Jane Campion
- On Anti-Escapism
- On Actor and Director Pairings
- On The Hollywood Trickle-Down
- On the ‘New’ Stand Up
- On the Return of Carrie Bradshaw
- On Queerbaiting
- On Things That Seem Gay (But Aren’t)
- On Father’s Day
- On Friendship
- On Distance
- On Millennial Comedies
- On Teen Shows
- On Needle Drops
- On BFI Flare
- On Kathryn Hahn
- On Rewatching
- On It’s A Sin
- On Depressing Movies
- On The Cultural Void
- On 2020 in Film
- On Happiest Season
- Nicole Kidman
- On Sex Scenes
- On the Value of Youth
- On Sofia Coppola
- On Trailers
- On Moving House
- On I May Destroy You
- On Change
- On the Great Outdoors
- On Reese Witherspoon
- On Adaptations
- On Survival Without the Cinema
Jon Paul Roberts 